A film's color isn't determined solely by shooting. Color grading shapes the light, the hues, and the texture of the images ...

For any film, color grading is an essential part of the process. For some it’s simply a way to get the shots within a scene to match cohesively, despite adjusted lights or a change of sun position.

Colorist Joe Gawler of Harbor Pictures has worked on a number of films and television shows over the years, including A Most Violent Year, Midnight in Paris and Arrival. For Wonderstruck, Gawler had ...

Color grading is not only an important part of filmmaking, it's an entire career in itself. There's a lot to know, but getting the basics understood shouldn't be as daunting as it might be. In this ...

ARRI Film Lab 1.5 adds 8mm, 16mm, and 65mm looks, anamorphic controls, and ACES 2.0, from $25 a month. In-camera previews are ...

Recently Hollywood Intermediate acquired a new Baselight Color grading system for its Matchframe Digital Intermediate division. The company’s new film scanner and two additional color grading/conform ...

Whether it’s Wes Anderson’s vibrant color palette in “The Grand Budapest Hotel” or the comic-styled color disruptions of Robert Rodriguez’s “Sin City,” the color of a film sets its mood and tone. Film ...

Image Film in Barcelona, Spain, has upgraded its color grading suite with a da Vinci 2K Plus to be used for film processing, commercial color grading and other post-production projects. The company ...

Winners will be announced at the Camerimage cinematography film festival in Poland. By Carolyn Giardina Former Tech Editor Color grading system developer FilmLight announced the nominees for its Color ...