On Becoming a Guinea Fowl” makes a valid argument for speaking ill of the dead, especially if it bucks this respectful ...

Zambian filmmaker Rungano Nyoni’s second feature starts with a dead body in the road. It ends with rage, righteousness, and a ...

Wherever it takes place, whoever’s life has ended, a funeral is a kind of collective memory bank. No two memories of the deceased, spoken or unspoken, work the same way. But a person’s life, and its ...