György Kepes, a Hungarian-born artist whom I knew in the early 1970s, had a remarkable eye and a literary mind fevered with perfectionism. He produced several influential books of design theory, but ...

Does any other word better capture the current art-world zeitgeist than “artwashing”? The term, which was first used in reference to artists-as-gentrifiers, has expanded to include donations to ...

I spent an hour and a half in the Harvard Square bus terminal. It wasn’t long enough. I had recently been reminded of Harvard art historian Jennifer Roberts’ article “The Power of Patience,” in which ...

THEY may look like conventional photographs, but no cameras were used in the making of György Kepes’s “photograms”. Instead, the artist arranged objects directly on top of light-sensitive paper, then ...

CAMBRIDGE — Every photograph is a reaction, a reaction to light. Doesn’t matter who took it (Walker Evans, a 3-year-old), how it was taken (single-reflex-lens camera, a cellphone), why it was taken ...

Sikkema Jenkins & Co. is pleased to present an exhibition of works by György Kepes and Brooklyn-based artist Cameron Martin, on view from November 21, 2019 through January 18, 2020. Each of Kepes’ ...

György Kepes was a filmmaker and photographer known for his exploration of the connections between art and science as well as nature and technology through the creation of abstract images.

György Kepes’ installation “Blue Sky on the Red Line” in the Upper Busway at the Harvard Square bus station. The Harvard Crimson The University Daily, Est. 1873 ...

Tracks the change in total value of sales, as well as the total number of lots offered and sold annually in the art market. This chart shows whether György Kepes’s total sales are going up, and if so, ...

György Kepes (Hungarian: [ˈkɛpɛʒ ˈɟørɟ]; October 4, 1906 – December 29, 2001) was a Hungarian-born painter, photographer, designer, educator, and art theorist. After immigrating to the U.S. in 1937, ...

THEY may look like conventional photographs, but no cameras were used in the making of György Kepes’s “photograms”. Instead, the artist arranged objects directly on top of light-sensitive paper, then ...