Some Hollywood decisions defy logic. Like, who looked at the world of Looney Tunes, those unhinged cartoons of our youth, and thought: Let's add a bunch of personal injury lawyers. Such is the premise of the clunky,

“Autofiction?” a character spits in the spiky new Pedro Almodóvar film Bitter Christmas. “Bullshit!” As cultural criticism, the movie is clear — a cold blast at creative types who steal the lives of people close to them for material. The twist is that the figure denounced for doing it may seem familiar: a deliberate likeness for Almodóvar himself.

In “Finding Emily,” a lovelorn musician meets and loses the girl of his dreams in 24 hours. Owen, played by Spike Fearn, discovers that the number she gave him is missing a digit and he sets

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The star is mischievously good as a lustful artist who seduces her young assistant in a return from 1990s indie darling Gregg Araki

It’s rare for an already-compact movie to feel this overwrought. Even at a mere 95 minutes, the nautical Jason Statham starrer Mutiny plays like an unpolished assembly cut, with only a couple of slick or enjoyable action beats.

Finding Emily, 2026. Directed by Alicia MacDonald. Starring Spike Fearn, Angourie Rice, Cora Kirk, Prasanna Puwanarajah, Sadie Soverall, Nadia Parkes, Jack Riddiford, Isabella Laughland, Minnie