Each of Aster’s movies descends into chaos by its third act, but the bloodbath at the end of Eddington is particularly challenging because of what precedes it: a recognizable, if satirical, ...
“Eddington” is a slog, but a slog with ambitions—and its director and screenwriter, Ari Aster, is savvy enough to cultivate an air of mystery about what those ambitions are. His earlier chillers, ...
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