For centuries, Renaissance art history was an exclusive gentlemen’s club with genius men, dramatic patrons, and women mostly appearing as muses, saints, or decorative background figures holding fruit.
Professor Leone’s research focuses on the city of Rome in the early modern period (1400-1800), which provides endless opportunities to study the intersection of art and society. She is interested in ...
For the first time in 40 years, Italian Renaissance master Donatello (ca. 1386–1466) has a major solo show—and the curator, Francesco Caglioti, hopes the blockbuster exhibition will help elevate the ...
John Lansdowne and Stephanie Leone are both Boston College art professors—but one specializes in medieval art, and the other in Renaissance art. For the McMullen Museum of Art’s latest exhibit, ...
Works newly attributed to the Renaissance artist had exciting stories behind them. But experts say they are unlikely to be by his hand. Two Brussels collectors bought ...
The allure of Rome / Carol M. Richardson -- Netherlandish networks / Kim W. Woods -- Tapestries as a transnational artistic commodity / Elizabeth Cleland -- Siena and its Renaissance / Diana Norman -- ...
"The Harlem Renaissance and Transatlantic Modernism" showcases a dazzling array of invention by figures familiar and obscure. Aaron Douglas, Aspiration (1936) from the Metropolitan Museum of Art's ...
Objects and images have become central to communicating across cultural divides, conveying meaning to multiple groups without reliance upon any one spoken language or cultural tradition. Art history ...
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