The concept falls flat in Shakespeare in the Park’s first offering this summer. Lorin Wertheimer reviews. Normally, I’d use this space to summarize the plot, but the story of Romeo and Juliet, so ...

Abby Rosebrock’s Lowcountry unfolds on the kind of sultry South Carolina night where the air practically boils and a soundtrack of skeeters buzz in the mist. I saw the play on such a night in New York ...

An unusual dance/thriller hybrid builds to a striking ending. Loren Noveck reviews. An unsettled, uneasy pairing of a rural crime story (whose mystery, as noted, lies more in the puzzling ...

Bedlam presents a revival of Shakespeare’s play without the company’s usual sense of fun. Patrick J. Maley reviews. Under the artistic direction of Eric Tucker, Bedlam has consistently proven itself a ...

Craig Baldwin’s modern, bold rendering of Shakespeare’s classic reveals new dimensions of the text, particularly through a wonderful central performance by Michael Urie. Patrick Maley reviews. Modern, ...

William Finn and Rachel Sheinkin’s musical comes back to New York with the warmth of an old friend. Lane Williamson reviews. William Finn and Rachel Sheinkin’s delightfully quirky musical The 25th ...

A new play about a group of women at a recovery meeting is buoyed by six great actresses. Lane Williamson reviews. In Jacob Perkins’ play The Dinosaurs, a group of women gather in a multi-purpose room ...

This raucous new musical imagines a missing person in an early-2000s paparazzi photo and dives into the depths of the internet to track her down. Lane Williamson reviews. Breslin and Foley imagine a ...

Lately, I’ve been going to shows with a friend who has not seen a lot of theater. As we sat down, she was peppering me with questions about Ivanov, but I did not have many answers. It was my first ...

Jean Smart plays an aspiring poet trapped in an abusive marriage in this cliché-ridden solo play. Cameron Kelsall reviews. A fair amount of Call Me Izzy, a new play making its Broadway debut at Studio ...

This vampire musical succeeds on spectacle, but belabors its themes. Loren Noveck reviews. It is telling that the website for The Lost Boys, a new musical adaptation of the 1980s horror comedy film, ...

This new play works best as a snappy, historical triumph with a strong ensemble rather than commentary on today. Nicole Serratore reviews. The screen-to-stage adaptation of Good Night and Good Luck ...