Johanna Siegler reviews the group exhibition ‘For Real For Real’ curated by Claudia Rankine and The Racial Imaginary ...

Adela Lovric reviews the group exhibition ‘Fixing Futures. Planetary Futures between Speculation and Control’ at MGGU, ...

Lygia Clark at Neue Nationalgalerie by Fionn Adamian // June 27, 2025. Art history likes clairvoyants. Divine as a tea leaf, ...

This article is part of our feature topic Legality.

Agnès Varda’s ‘Third Life’ at Silent Green by Kate Channer // July 5, 2022 Summer falls on the oasis of Wedding’s silent green. The ex-crematorium turned Kulturquartier presents an exhibition that ...

Denisa Tomkova: On your website, Jan-Erik Lundström describes your paintings as being “about the act of painting.” I really like that description, as your paintings are very tactile, they show the act ...

Intersectional Art as Activism: An Interview with Yishay Garbasz Article by Alison Hugill // Aug. 31, 2020 Yishay Garbasz is a Berlin-based interdisciplinary artist. Her work primarily explores ...

The act of giving voice to the unheard, of giving breath to an archive, combined with Dalberg’s use of non-human sound in the video pushed me towards situating this transhistorical work within the ...

Measuring as World-Making at Survival Kit 15 by Adela Lovric // Sept. 25, 2024 How is it possible to have a contemporary art festival in Latvia run for 15 years? The preview of Survival Kit 15 kicked ...

An air-dried porcelain nose is the first and only element encountered in the middle of carlier | gebauer’s lobby for Waelder’s current exhibition, ‘cadence.’ Resting on a thin wooden plinth, the ...

Peril and Protection: Claudia Pagès Rabal at Chisenhale Gallery by Akin Oladimeji // Apr. 15, 2025 As a child, I often looked up: at adults, at Christ on the cross in church, the tops of buildings, ...

Lorna McDowell: You’re the first writer-in-residence at Gropius Bau. What does it mean for you, as an author and a musician, to be thinking and writing within an art institution? K Allado McDowell: ...