This glow-up of a mobile gacha is an RPG of craterous lows and wondrous highs.

The film captures a tabloid's rough-and-tumble early days but struggles to connect that history to the paper's transformation ...

Phoebe Bridgers has dropped “Lost Boys,” her first original material in four years. The new song serves as the lead single from her third studio album, Lost Weekend, the follow-up to 2020’s acclaimed ...

From Bob Clark’s Black Christmas to 2022’s Violent Night, Christmas and carnage have long gone hand in hand in horror movies.

Because we don't care about Polly and Lyman for much of the play, it’s hard to care too much about their arguments either.

Shabazz Palaces’s follow-up, It’s a Style Sport, puts Butler more at the forefront. Recorded over eight days with players who ...

Corbijn's 'A Talent for Murder' understands not just Ripley’s appeal but the compulsions that power the character.

An excess of songs, lighting cues, key changes, and Todrick Hall's own presence powers this euphorically maximalist musical.

The film isn’t afraid to have its characters grapple with real-world darkness and complexity.

The sound design, made in collaboration with Ben and Max Ringham, elevates the sonic scares and creates an immersive, insular world of words.

It's a thrilling rarity because it marries a disposition of childlike sincerity with a story whose themes are adult in more ways than one.

Stan discusses how he filtered the character through personal experiences with immigration, the film's divisiveness, and more ...