Two very different Verdi operas are playing on the Metropolitan Opera stage. One production embraces every recent trend and the other comes across as a relic. In a way, each meets an operatic ideal.
Michel van der Aa’s “Theory of Flames” originates from a question: “How can we relate to people if we don’t believe in the same reality?” Michel van der Aa’s film opera “Theory of Flames,” premiering ...
The first act of Opera À La Carte’s production of La bohème featured costuming and well-used furniture that made Rodolfo’s bohemian Parisian garret seem more real than the elaborate expensive sets and ...
The Canadian Opera Company presents a 2017/2018 season that defies conventions on what opera can be and cements the art form's enduring relevance as a reflection of timeless human relations and ...
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