Pop star The Weeknd enlists director Trey Edward Shults for a fictionalized recreation of the circumstances around a disastrous tour appearance.

Jenna Ortega and Barry Keoghan co-star in this film about a tormented pop star, which doubles as a feature-length promotion for The Weeknd's new album.

The Weeknd's first feature film is a surrealist vanity project, writes Associated Press Music Writer Maria Sherman.

If I told you that Hurry Up Tomorrow, the latest onscreen vanity project co-written by and starring Abel Tesfaye, opens with the Canadian singer-songwriter-sometime-actor blowing raspberries at ...

Not even Jenna Ortega or Barry Keoghan can save director Trey Edward Shults' 'Hurry Up Tomorrow,' which unravels as a sloppy, ...

“Hurry Up Tomorrow” (again ... that’s only because reading a review of a film doesn’t occupy nearly as much time as watching it. The minutes drag, and not just when Shults holds on ...

Prior to “Hurry Up Tomorrow,” it’s hard to remember another occasion when they dramatized those experiences in a feature film, much less one co-written by and starring themselves.

"Hurry Up Tomorrow" isn't as striking ... in "American Psycho," wherein a killer essentially reads their own review aloud. Tesfaye is essentially staging the world's worst press interview.

The Weeknd in Hurry Up Tomorrow meets the same fate, and, as it really did for Tesfaye, the event sparks a breakdown. The film’s depiction of Abel’s deteriorating mental health also revolves ...

Hurry Up Tomorrow, which is now in theaters, begins and ends with a close-up of Abel (playing a fictionalized version of ...