New York Classical Review1d
Kronos Quartet speaks to our time with edgy new works at Carnegie Hall
Inside, the electronically amplified ensemble—violinist David Harrington, cellist Paul Wiancko and two new members as of last ...
New York Classical Review3d
Slatkin returns to Philharmonic with American music and Shostakovich
In between was the New York premiere of John Corigliano’s Triathalon, a saxophone concerto that featured soloist Timothy ...
New York Classical Review4d
Pianist Andsnes shines in rare sonatas of Norway at Carnegie
Representing one’s home country abroad is serious business, and pianist Leif Ove Andsnes took it seriously in his Carnegie ...
New York Classical Review6d
Met’s enjoyable”Zauberflöte” finds true art in theatrical artifice
Sunday afternoon, the Metropolitan Opera opened its revival of Simon McBurney’s production of Mozart’s Die Zauberflöte.
New York Classical Review6d
WA Sinfonietta makes energetic debut with Neidich as conductor-soloist
The latest entry in this field, the WA Sinfonietta founded by clarinetist and conductor Charles Neidich, made an auspicious ...
New York Classical Review10d
Cleveland Orchestra’s extraordinary playing brings fresh meaning to familiar music
Wednesday night’s Carnegie Hall concert from the Cleveland Orchestra, conducted by music director Franz Welser-Möst, was ...
New York Classical Review15d
Nilsson’s luminous debut lifts the Met’s Tomb Raider “Aida”
Christina Nilsson sings the title role of Verdi’s Aida at the Metropolitan Opera. Photo: Ken Howard / Met Opera Michael Mayer’s new staging of Verdi’s Aida returned to the Metropolitan Opera on Friday ...
New York Classical Review16d
Driver brings a myriad of illumination to Carnegie recital
Some concerts illuminate a single idea. Danny Driver’s recital at Carnegie Hall Thursday evening illuminated many, revealing ...