Somer Valley Brewing has revealed new branding by Supple Studio that uses textures and colours lifted directly from its ...

Language has the power to create connections, but in the workplace it can just as easily build barriers. Is it time to throw ...

The charity has launched an animated spot showing the digestive benefits of plant-based eating in an unconventional way ...

Jeffrey Ludlow explores how donor signs on cultural institutions symbolise power and wealth, but also sometimes controversy ...

We talk to DLMDD co-founder Max De Lucia about why the agency is betting on aroma being the next big thing in sensory ...

Featuring works by Kitching as well as three of his collaborators, the exhibition celebrates the heritage of letterpress ...

Editor and writer Mark Sinclair picks his favourite book cover designs of this year, plus opens with a few reflections on industry trends that have emerged in 2022 Last year I began CR’s round-up of ...

Documentary photographer Craig Easton photographed his series Bank Top in 2019 and 2020, the body of work named for the small pocket of Blackburn, England in which it was made. The aim was to tell an ...

When Penguin Modern Classics decided to bring back its Crime and Espionage series, one design feature was surely inevitable. For Penguin readers, crime is synonymous with green. The colour has been a ...

London-based illustrator Olivia Twist had an early introduction to the world of visual creativity. Her grandad showed her how to draw when she was four or five years old, and more importantly how the ...

Magazines are often searching for what’s next. Yet this year has been one where nobody has known what is around the corner, and it’s forced us all to pause, take stock and reflect. It’s a collective ...

When we think about historical artefacts, the images that come to mind are often ones of documentation – the sort of photographs that live in a dusty archive somewhere or in the pages of an equally ...